Cinematic Strings 2.1 Keygen
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Cinematic Strings 2.1: A Review of the Orchestral Sample Library
Cinematic Strings 2.1 is a Kontakt Player library that offers a great sound and an easy-to-use interface for composing orchestral music. It features a full ensemble of strings recorded in a large concert hall, with a warm and lush tone that can be used without any additional effects. In this article, we will review the main features, strengths and weaknesses of Cinematic Strings 2.1, and compare it with some other popular string libraries on the market.
Features at a Glance
Cinematic Strings 2.1 has a simple installation process and a powerful GUI that allows instant access to all of the features you'd expect in a high-end string library[^3^]. You can load one patch for each string section (violins 1, violins 2, violas, cellos and basses) and have every sound the library offers at your fingertips.
The library has three microphone positions â close, stage and room â that can be mixed together to achieve different levels of depth and ambience. There is also a "mix" microphone position that sounds great out of the box and saves on computer resources[^1^].
The library has a realistic legato engine that adjusts the dynamics and timbre automatically while you play. The legato transitions are smooth and natural, and they compensate for your playing speed, so that when you play fast, shorter more natural legato transitions are triggered[^1^].
The library has a range of articulations that cover most of the common needs for orchestral music. These include sustains, staccatos, spiccatos, pizzicatos, tremolos, trills (half and whole tone), sforzandos and sordino (muted) patches. The articulations can be switched using key switches or MIDI CCs.
The library has a built-in reverb that can be adjusted to suit your taste. You can also use external effects if you prefer.
Strengths and Weaknesses
Cinematic Strings 2.1 has many strengths that make it a great choice for composers who want a quick and easy way to create realistic orchestral mockups. Some of these are:
The sound quality is excellent, with a rich and warm tone that suits many genres and styles of music. The samples are recorded in a concert hall that adds a natural reverb and depth to the sound.
The interface is intuitive and efficient, with everything you need on one page. You can adjust the microphone balance, switch articulations, control the reverb and tweak other settings with just a few clicks.
The legato engine is one of the best in the market, with smooth and natural transitions that respond to your playing speed and expression. The legato patches are also very playable and expressive, with minimal latency.
The library is very easy to learn and use, with consistent articulations and key switches across all sections. You can load one patch per section and start composing right away, without having to worry about missing anything.
However, Cinematic Strings 2.1 also has some weaknesses that may limit its versatility and realism for some composers. Some of these are:
The library has a smaller ensemble size than some other libraries, with 10 first violins, 8 second violins, 6 violas, 6 cellos and 4 basses[^2^]. This may make it less suitable for epic or large-scale music that requires more power and density.
The library has a limited range of articulations compared to some other libraries. For example, it does not have marcato, col legno, harmonics or sul ponticello patches. It also does not have divisi patches or individual instrument patches that allow more control over the sections.
The library has a fixed vibrato level that cannot be changed or modulated. This may make it less expressive or realistic for some situations where you need more or less vibrato.
The library has a fixed tuning system that cannot be changed or customized. This may make it incompatible with some other libraries or instruments that use a474f39169